Highlights:
St
Mark's Square - Venice carnival,
Bridgewater Hall - Manchester,
Thames Festival,
WOMAD, UK
Festival de la Merce - Barcelona,
Sziget Festival - Budapest,
London Mela, Roskilde Festival - Denmark,
Kaustinen Festival - Finland,
Rudolstadt festival - Germany,
Tulip festival - Canada,
Druga Godba festival -Slovenia,
Ignite! - Olympic Stadium, Sydney |
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Evening Standard, 23/08/02
Jazz Café, 22/08/02
Bands that play weddings always have the edge. Of course bands themselves
prefer 'proper' jobs at festivals and concerts. But playing at weddings
gives you an intimate experience with audiences and a lived-in familiarity
with your material - and it shows. So the Bollywood Brass Band were storming
through their numbers on stage, a magnificent line-up of trombones, trumpets
and sax propelled by thunderous Indian dhol and tabla percussion, backed
by sousaphone. Whether doctors would recommend jumping up and down with
one of these coiled around your upper body, I don't know, but jump Alice
Kinloch did, and soprano sax player Joe Cohen stepped forward and, with
the sultry guile of a snake charmer, enticed a thinly populated jazz café
to dance.
The Bollywood Brass Band are the UK's version of the most ubiquitous music
in India after Bollywood hits - the wedding brass bands. Forget the cliché
of the jangling sitar, the sound of India is wedding bands and, at the
right time of year, you simply can't avoid running into a wedding procession
led by a band in gaudy livery, belting out wedding standards and Bollywood
hits. The BBB were actually tutored by the Shyam Brass band from Jabalpur,
although the main difference between them and any Indian wedding band
I've heard is that they are really accomplished musicians: nine non-Asians
joined by a couple of guests from the spectacular Dhol Foundation on percussive
propulsion.
The backbone of their current repertoire is by A R Rahman, the most successful
film composer in India and composer of Bombay Dreams, with some bhangra
classics and uproarious arrangements of hits by Nusrat Fateh Ali Khan.
Their familiarity with their material shows through as they glide smoothly
from one number to another, but with a stimulating change of gear. More
than anything I was reminded of the invigorating sounds of New Orleans
jazz - not that I was there in the 1920s - but here was an intimate crowd
getting down on some powerful music that was more than the sum of its
parts. Bombay meets New Orleans in Camden Town. Global village, or what?
Simon Broughton
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